AFTER GREAT PAIN
I talk to you about writing poetry
as if it were like opening a vein
as if there were some kind of gain
in seeking the dangers,
as if I sought them myself—those nights
of terror, those days of weeping
on the streets;
as if anyone would actively seek the thrill,
or cultivate terror for the sake
of song.
What I don't hear in your voice
until after you've gone
is the strain
the monumental
pain you have risen above,
rise above daily
in isolation—smiling,
ordering your life,
refining a formal feeling,
doing everything not
to open a vein.